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The Lord of the Rings: The Fellowship of the Ring was the first movie in the Lord of the Rings Trilogy, based on the popular fantasy books written by J.R. R. Tolkein. The movie was a blockbuster hit at both the box office and at the Oscars. The story, in and of itself, is creative, captivating and magical. But even a wonderful story can flop when put onto the big screen. Cinematography, special effects, visual effects and the quality of acting all play an important part in making a story “live” for an audience. Music also plays a vital part in making a movie successful. Music can make us feel that we are in another place and time. It captures our emotions by creating an ambiance of happiness, sadness, tension, fear or excitement. Music helps suspend our disbelief about the fantasy of the story. It helps us identify with distinct characters, places and cultures. The music of The Lord of the Rings: The Fellowship of the Ring, does all of these things. Through music, composer Howard Shore successfully takes us to Middle Earth.

The Pittsburgh Steelers have been playing the Cleveland Browns for longer than any other team in the National Football League, dating back to’50. And while it hasn’t been quite that long since the Cleveland Browns won a game against the Steelers it may be starting to feel like it. On Sunday, Pittsburgh won for the twelfth straight time dating back to 2003 as they topped Cleveland by a final score of 27-13. The defending Superbowl champions improved to 4-2 while the Browns fell to 1-5.

The good news for NFL betting enthusiasts who took the +13′ with the Browns as a road underdog is that they managed to cover the pointspread by the slimmest of possible margins. Betting against the defending Superbowl champion is a long standing handicapping concept, and this season at least its worked like a charm-the Steelers have only covered one of their first six games. Cleveland, meanwhile, evened their NFL pointspread record at 3-3 on the season. The Browns have covered three straight after dropping their first three both straight up and against the spread.

Walter Hill is one of the most incredible directors of the last thirty or forty years, always capable of banging out a great, unpretentious, action packed flick. In the mid eighties, he sat down with a notebook and wrote a checklist of everything he wanted to see in the greatest movie ever, and the result was Streets of Fire, one of the all time cult eighties movie downloads.

The film follows a discharged soldier, Tom Cody, as he returns to town to save his old flame, pop star Ellen Aim, from Raven, the local biker gang leader. The movie blends fifties and eighties aesthetics into an all new fantasy environment, with dreamlike cinematography showing a lot of rainy streets, neon lights and classic cars.

The movie is really defined by the music, again, blending fifties and eighties styles. You’ll hear these great old fashioned fifties rock tunes with a layer of synth and aggressive, eighties style vocals. It really invents its own style of pop and Rock and Roll, even having led to the hit single, I Can Dream About You.